Till now, India has made over two hundred thousand movies,which roughly estimated as two lakh movies.So, you can understand the magnitude of the task at hand…
The period from the late 1940′s to the 1960′s is regarded as the “Golden Age” by film historians of Hindi cinema and the late 1960s and early 1970s were the period where romance movies and action films starred actors like Rajesh khanna, Dharmendra, Sanjeev Kumar and Shashi kapoor and actresses like Sharmila tagore, Mumtaz and Asha parekh.
In the mid-1970s, romantic confections made way for gritty, violent films about gangsters and bandits.
Amitabh Bachchan, the star known for his “angry young man’s image, rode the crest of this trend with actors like Mithun chakraborty and Anil Kapoor , which lasted till the early 1990s. Actresses from this era included Hema malini, jaya bachchan, and rekha..
Bollywood films are mostly musical and are expected to contain catchy music in the form of song-and-dance numbers woven into the script. A film’s success often depends on the quality of such musical numbers.Indeed, a film’s music is often released before the movie itself and helps increase the audience. Indian audiences expect full value for their money, with a good entertainer generally referred to as Paisa Wasool
I understand and realize that every individual’s choice is different.
Movies that I like,my readers may not like that.
So,I’m trying to be as neutral and unbiased as far as possible with a fair system of judgment for these movieswhich i think is the best of all so far…Let’s Check them Out!
The cast and crew of the movie include Prithviraj Kapoor – Akbar, Dilip Kumar – Prince Salim, Madhubala – Anarkali, Durga Khote – Jodha Bai, Nigar Sultana – Bahar, Ajit – Durjan Singh, M. Kumar – Sculptor Sangtaraash, Murad – Raja Mann Singh, Jilloo Bai – Anarkali’s Mother, Jalal Agha – Young Prince Salim. with Rashid Abbasi as assistant director, Khalid Akhtar as Chief assistant director, M.K. Syed as Art Direction.
Mughal-e-Azam is a 1960 Asiatic heroic picture produced By Shapurji and directed by K. Asif. With its plush production, K. Asif’s magnum passage took nine years and Rs 10.5 cardinal to move. The enter bust box part records in Bharat when free and held the platter for the highest grossing film ever until the 1975 flick Sholay broke its enter.
Those who hadn’t seen Mughal-e-azam, for the insane reason that it was made in black & white, got their wish fulfilled when it was re-coloured and re-released a few years ago.
The semi-fictional story follows the events & happenings of the Royal Mughal household. Prince Jehangir’s (Dilip Kumar) struggle with his father, the Mughal Emperor Akbar (played by legendary actor Prithviraj Kapoor) over his love with a courtesan by the name of Anarkali (played by the beautiful Madhubala) takes centre stage.
Mother India is a 1957 Bollywood shoot directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raj Kumar. The record is a refashion of Mehboob Khan’s earlier wrapping Aurat (1940). Mother India is a classic example of a movie made to depict the power of the Indian woman! It was one of the first movie to be made on this theme & inspired a slew of movies that tried to copy the directorial & acting genius portrayed in these movies.The cast of the movie include Nargis as Radha, Sunil Dutt as Birju, Rajendra Kumar as Ramu, Raaj Kumar as Shamu (Radha’s Husband), Kanhaiyalal as Sukhilala, Jilloo Maa, Kumkum (actress) as Champa, Chanchal, Sheela Naik as Kamla, Mukri as Shambu, Siddiqui, Ram Shastri, and Fakir Mohammad.
Pakeezah took nearly 14 years to shoot because of a change in relationship between Meena Kumari and the director. Meena Kumari and Kamal Amrohi were married when Pakeezah was first conceived.Meena Kumari was very ill when filming resumed and she can be seen lying down in most of her scenes. The story of pakeeza is all about a girl, whose mother dies of sorrow from her husbands family’s rejection, grows up singing and dancing like her mother. She works as a dancing girl and is courted by a prince, but can think only of a man she has never met, who left her a message on the train. She dreams of him and cannot dance, stayed frightened and runs in the night to find that person.
The cast include Helen, Dilip Kumar, Vaijayantimala, Nasir Khan, Azra, Kanhaiyalal, Anwar, Nazir Hussain, S. Nazir, Akashdeep, Aruna, Naaz, Praveen Paul, Leela Chitnis.
Gunga Jumna is a 1961 Screenland medium produced by Dilip Kumar and directed by Nitin Bose. The historically lifetime brothers Dilip Kumar and Nasir Khan are brothers on hostile sides of the law. The music of this flick is by Naushad and the lyrics by Shakeel Badayuni. The wrapper also stars Vyjayantimala and Helen.The cast include Helen, Dilip Kumar, Vaijayantimala, Nasir Khan, Azra, Kanhaiyalal, Anwar, Nazir Hussain, S. Nazir, Akashdeep, Aruna, Naaz, Praveen Paul, Leela Chitnis.
This couplate trilateral is a psychologically multifaceted tale most antheral attachment, the pregnant of hump and friendship. In the context of these relationships, Sundar is the one who is preventing the different two grouping’s healthiness and eventually also thwarts his own. He appears as beingness gullible and someone, yet he seems intransigent at exclusive noticing
things that garment his own mindset. He is loaded of self-pity and bullies the others emotionally. An useful and critically regarded idea in the film is virile attachment and the vulgar sharing of a partner between two antheral friends. Gopal indulges in his own “killing”, but never thinks of the black’s feelings he ostensibly loves.
Sangam is a 1964 Hindi film produced by R. K. Films and directed by Raj Kapoor. Penalization for the sheet was composed by Shankar-Jaikishan, with song lyrics by Shailendra and Hasrat Jaipuri. Sangam was maker Raj Kapoor’s primary form record, imposing by its technicolor and epos length (plane by Bollywood standards). It became a hit in India and is thoughtful a classic today. Sundar (Raj Kapoor), Gopal (Rajendra Kumar) and Radha (Vyjayantimala) hold been friends since childhood. As they farm into adults, Sundar develops an psychoneurotic idiom magnet to Radha, but she prefers Gopal, who is also in bang with her. Yet, as Sundar has confided his feelings for Radha to him, Gopal decides to free his love for his friend’s sake.
The cast include Raj Kapoor as Flight Lt. Sunder Khanna, Rajendra Kumar as Magistrate Gopal Verma, Vyjayanthimala as Radha, Iftekhar as Indian Air Force Officer, Raj Mehra as Judge Mehra, Nana Palsikar as Nathu, Lalita Pawar as Mrs. Verma, Achala Sachdev as Captain’s wife, Hari Shivdasani as Captain.
The Oscar Academy, while adding Anand to their library, admitted that if such a movie would have been made by an American, they probably wouldn’t have nominated any other movie (or actor) for the ‘Best Movie’ & ‘Best Actor in a Lead Role’ Oscars!
The story of Anand, a man troubled by lympho-sarcoma of the intestine (an incurable disease till date), leads him to touch the lives of the strangers that he spends his last few days with such immaculate profoundness that you can’t help but feel sad for the character that Rajesh Khanna brought to life. Anyone who has ever seen this movie would subscribe to the fact that this was one of the most emotionally exhilarating experiences of their lives. It’s a true masterpiece!
The cast and crew of the movie include Dharmendra as Veeru, Sanjeev Kumar as Thakur Baldev Singh, Amitabh Bachchan as Jai, Hema Malini as Basanti, Jaya Bhaduri as Radha, Amjad Khan as Gabbar Singh with Satyen Kappu as Ramlaal, A.K. Hangal as Imam, Sachin as Ahmed, Leela Mishra as Mausi, Iftekhar as Radha’s father, Mac Mohan as Sambha, Viju Khote as Kaalia, Jagdeep as Soorma Bhopali, Asrani as Jailor, Helen as Gypsy dancer, Jalal Agha as Gypsy Singer and Banjo Player, Keshto Mukherjee as Hariram Naai, and Raj Kishore as Prisoner. The producer of the movie was G.P. Sippy and director was Ramesh Sippy. Salim-Javed was the writer of the movie and the music is given by R. D. Burman.
Sholay is an Indian movie directed by Ramesh Sippy. It is the large hit in the story of Screenland, India’s Hindi flick industry. It was released on 15 August 1975 with Dharmendra, Sanjeev Kumar, Amitabh Bachchan, Hema Malini, Jaya Bhaduri and Amjad Khan as main lead stars.
The story of Gabbar, Jai & Veeru is implanted into the minds of the Indian public. I don’t need to emphasize the importance of this film in shaping the future of Indian Film Industry. This movie set the tone of an era of action films to follow. The bond of friendship depicted between Jai and Veeru, so well established in this three hour epic, is still used as a cornerstone for movies today! India’s biggest hit by far, it propelled Amitabh Bachchan to superstardom & landed him an award for actor of the millennium too!
Bobby is a 1973 Bollywood picture directed by Raj Kapoor. The film was widely favorite, and imitated. It also represented the wrapper debut for Dimple Kapadia and the archetypical strip part for Raj Kapoor’s son, Rishi Kapoor. The movie is famed to be a trend-setter in its own justness. It introduced in Screenland, the music of teenage romance with a rich-vs-poor collide as a scene. Numerous movies in the masses eld were inspired by this patch. Indiatimes Movies ranks the show amongst the Top 25 Must See Bollywood Films. The show became a “smasher” and was the top grossing hit of 1973; it also was the second top grossing hit of the 1970s decade, and set 10th in the all time box state hits.
The movie is a news about the screw between two Bombay teenagers of divergent classes – Raj Nath (Rishi Kapoor), son of a lucullan bourgeois Mr. Nath (played by Pran), and Bobby Braganza (Dimple Kapadia), girl of a beggarly Christian fisher Diddley Braganza (played by Prem Nath).
The cast include Rishi Kapoor as Raja, Dimple Kapadia as Bobby J. Braganza, Pran as Mr. Nath, Prem Nath as Jack Braganza, Sonia Sahni as Mrs. Sushma Nath, Durga Khote as Mrs. Braganza, Aruna Irani as Nima, Prem Chopra as Prem Chopra, Farida Jalal as Alka ‘Nikki’ Sharma, Piloo J. Wadia as Mrs. Pestonji (as Mrs. Piloo Wadia), Pinchoo Kapoor as Mr. Sharma, Jagdish Raj as Police Inspector, Shashi Kiran as Shyam (Raj’s college-mate), Raj Rani as Mrs. Sharma, Aarti as Arti.
Kranti ran for 67 weeks in theater.It was Golden Jubilee HIT, entailed good profits for all India distributors despite heavy price tag (2.50 Crore) attached. It was costliest movie ever at that time.It is a 1981 Indian Bollywood movie which was Produced and directed by Manoj Kumar it also stars Manoj Kumar along with a real double take consisting of Dilip Kumar, Shashi Kapoor, Hema Malini, Shatrughan Sinha, Parveen Babi, Sarika, Prem Chopra, Madan Puri and Paintlal. The story was inscribed by Javed Akhtar. The celluloid asterisked the regress of Dilip Kumar to films after a five years gap.
The film is about 19th Century British India and is the story of the campaign for independency from the Country in the geezerhood spanning from 1825 to 1875. It tells the story of two men who led the war against Land Dominance, Sanga (Dilip Kumar) and Bharat (Manoj Kumar) both of whom birdsong themselves Kranti.Dilip Kumar as Sanga/Kranti, Manoj Kumar as Bharat/Kranti, Shashi Kapoor as Shakti, Hema Malini as Rajkumari Meenakshi, Shatrughan Sinha as Kareem Khan, Parveen Babi as Sureli, Sarika as Sheetal, Nirupa Roy as Radha, Prem Chopra as Shambhu Singh, Madan Puri as Sher Singh, Tom Alter as British officer, P. Jairaj as Maharaj Laxman Singh.
The narration of Palekar’s situation, his sudden character upheaval to trounce a puzzled Asrani, all the while managing to win the coy Vidya Sinha’s heart, all seemed to be in tune with the central theme of the movie.
Amol Palekar’s uncommon comic talent for playing mousy characters & Ashok Kumar’s flamboyance as Gen Julius Wilfred Nagendranath Singh is still stuck in the mind of the audience who managed to catch that movie. The victory of the underdog against all odds is a theme that has a universal appeal & yet such few movies were made on this topic, back in the day.
Being an offbeat movie, though, did have its own set of drawbacks. This movie never really came into the limelight until the movie made its way into the homes of audience via the small screen, where it was duly appreciated.
I think it is safe to assume that anyone and everyone who has ever seen Andaaz Apna Apna has been rolling on the floor laughing. Whythis film bombed at the box-office at a time when comedies, let alone of this level, were hard to come by amazes me till date.
The best part about a comedy is the fact that it has great repeat value. This piece of comic genius, though, is so outrageously hilarious that you just don’t want the scenes to end. Several characters like Crime-master Gogo, Teja & Robot are still deeply imprinted in the audience’s mind. Dialogues like ‘Aankhen nikal ke gotiya khelunga’ & ‘Jhakaas’ are also modes of wholesome entertainment
The cast of the movie include Madhuri Dixit as Nisha Chaudhary, Salman Khan as Prem, Mohnish Behl as Rajesh, Renuka Shahane as Pooja Chaudhary, Laxmikant Berde as Lalloo Prasad, Priya Arun as Chameli, Anupam Kher as Prof. Siddharth Chaudhary, Reema Lagoo as Mrs. Chaudhary, Alok Nath as Kailash Nath, Bindu as Aunt, Ajit Vachani as Aunt’s Husband, Satish Shah as Doctor, Himani Shivpuri as Razia (Doc’s wife), Sahila Chadha as Rita, and Dilip Joshi as Bhola Prasad.
Hum Aapke Hain Kaun is one of the large grossers ever in the history of Hindi cinema. Made on a budget of around Rs. 60 meg, it went on to due over Rs. 650 cardinal in Bharat and over Rs. 155 cardinal abroad. Keyed for inflation, the cinema ranks in the top tetrad highest grossing Amerind films ever. Not exclusive did the wrap hump immense success, it was also one of the greatest blockbusters of Amerind cinemas during an era of gyp movies, where minute size low to generally 2.5 hours (this film existence around 3.5 hours interminable and the longest of the 90s).
Hum Aapke Hain Kaun is a 1994 Hindi pic directed by Sooraj Barjatya, and produced by Rajshri Productions. It is a redo of Rajshri’s early film Nadiya Ke Paar (1982). Hum Aapke Hain Kaun is advised to be one of the most prosperous hindi films ever. The take is a taradiddle of two Asiatic families and the relationships between them, celebrating Soldier society using recent production values. It is noted for its plush depictions of Northeast Amerind ritual ceremonies. Its soundtrack, including an unusually broad size of 14 songs, was scored by Raamlaxman. Hum Aapke Hain Kaun stars Salman Khan and Madhuri Dixit, two of the top Screenland stars of the 1990s. The wrapper was very influential and inspired preteen filmmakers specified as Aditya Chopra and Karan Johar. It was dubbed into Dravidian as Premalayam. Madhuri Dixit won the Filmfare award for Best actress
The birth of Prem took place in a movie called Maine Pyar Kiya, but, Salman Khan came into his own when he played Prem in this marathon movie. A docile Madhuri Dixit lent her acting prowess to the character of Nisha, in which she looked her dazzling best. The on-screen chemistry between the two future-stalwarts was awe-inspiring.
The ideal son, the selfless brother, the heart wrenching storyline, all lend credence to this being one of the best movies ever made in Indian cinema.
The prevarication was adapted from the enter Nadiya Ke Paar (1982) also prefab by Rajshri Productions. It tells the tale of two lovers, Prem (Salman Khan) and Nisha (Madhuri Dixit) who are real fun amatory, upbeat and afloat of deviltry. Prem’s brother Rajesh (Mohnish Behl), is to be ringed to Nisha’s missy, Pooja (Renuka Shahane). Prem’s uncle (Alok Nath) and Nisha’s parents (Anupam Kher and Reema Lagoo) were college friends and when they foregather, they neaten Rajesh and Pooja’s family. During the wedlock a lot of fun and misbehavior happens until it is case
for Pooja to forbear to her new internal. Prem gets along wellspring with his sister-in-law, and presently they conceive that Pooja is expectant. Pooja’s parents are unable to move to the occasion mark the accomplishment of the infant so they beam Nisha instead. Patch she is there, she and Prem recede in object with apiece added. After, Nisha’s parents proceed over to Pooja’s asylum for a few days and when they eff to go, everybody persuades them to act over for a day. Then when the day for them to result comes, everybody is sad, especially Prem as he has transform very next to Nisha. Then one day Pooja goes to stick at her parents’ sanctuary and Prem follows her there. Once they labour the asylum, Pooja finds out that Prem and Nisha jazz apiece another. She promises to get them mated and gives Nisha the pedigree necklace. Then the phone rings and Pooja goes to solve it. She is really blessed and is hopping dr. The stairs when her pes accidentally slips and she dies after down off the stairs. Everybody is sad roughly the accident. Nisha takes righteous tutelage of Pooja’s juvenile and everybody thinks that she faculty be a uppercase parent to the babe and so Prem’s ascendent and Nisha’s parents talks virtually a rite between Rajesh and Nisha. Nisha overhears her parents talking active her existence the daughter-in-law of the asylum that her girl was from, and she mistakenly thinks that she is effort joined to Prem. Later at a compound ceremony, she finds out that she is marrying Rajesh. Prem and Nisha concur to free their pair for Rajesh and the child. At the hymeneals, Nisha gives Tuffy (Prem’s dog) the necklace that her girl had acknowledged her unitedly with a letter, to extend it to Prem. Tuffy gives the necklace and accolade to Rajesh and he realises that Prem loves Nisha. In the end, he confronts them and Nisha and Prem marry apiece additional.
The cast include Shahrukh Khan as Raj Malhotra, Kajol as Simran Singh, Amrish Puri as Chaudhary Baldev Singh, Farida Jalal as Lajwanti Singh, Anupam Kher as Dharamvir Malhotra, Satish Shah as Ajit Singh Achala Sachdev as Simran’s grandmother, Himani Shivpuri as Kammo Kaur, Pooja Ruparel as Rajeshwari Singh/ Chutki, Anaita Shroff Adajania as Sheena, Arjun Sablok as Rocky, Karan Johar as Ponchi,Parmeet Sethi as Kuljeet Singh, Mandira Bedi as Preeti Kaur.
Dilwale Dulhania Le Jayenge, also identified as DDLJ, is an Indian shoot. It premiered on 19 Oct 1995 and was released nationwide on 20 October 1995. Dilwale Dulhania Le Jayenge was directed by Aditya Chopra, and stars include Shahrukh Khan, Kajol, and Amrish Puri. Earning over Rs 580 million in India and Rs 175 million in foreign, the record became the biggest Screenland hit of the gathering, as easily as one of the greatest Screenland hits of all clip. The picture relic the longest pouring flick in the chronicle of Bollywood cinema. In February 2010, the shoot set a disc by completing 750 weeks of persisting joke in Bombay theatres. On 20 October 2009 the pic realized 15 years of non-stop functioning. The pic was included in the Theatre Bharat setting, “The Dynamic Face of Bollywood”, which toured the Federate States in July and August 2004. Indiatimes Movies ranks the pic amongst the 25 Must See Bollywood Films. It was also listed among the exclusive two Hindi films in the 1001 Movies You Must See Before You Die position.
Raj Malhotra and Simran Singh (Shahrukh Khan and Kajol respectively) are teenage primary generation British Indians brought up and experience in London. Raj is the exclusive offspring of wealthy Dharamvir Malhotra (Anupam Kher), who spoils his son overly. Raj is a free-wheeling lot boy, who is the premiere alumna at his period asylum to bomb, something which is declared at his would-be quantification ceremony. Simran is the bush girl of privy store mortal Chaudhry Baldev Singh (Amrish Puri), who is a rattling grown up and typic Soldier man whose only vision is to one day go place to his native Punjab. One day Raj tricks Baldev into merchandising him many beer after hours, making him rattling mad. Baldev is uppish that he has managed to Wizard, a intruder who comes into her living and sweeps her off her feet, and writes most him in her diary. Nevertheless, a proprietor comes from Ajit, Baldev’s unexcelled associate in India speech that his son, Kuljeet (Parmeet Sethi), and Baldev’s girl, Simran, should conjoin each different, in gift with a outlook the two fathers had prefabricated to each remaining when their children were infants. Because of her “Consort Charming,” Simran is a bit solicitous. She has never seen Kuljeet before, but agrees to tie him out of heart for her theologist. Yet, before the observance, she begs her parent to countenance her to go on a bloomer to Europe with her friends, her worst measure to see the reality before her matrimony to a finished trespasser and relocation to India. Alter though he is generally really demanding, Baldev relents and allows her to go, on the condition. During the jaunt, Simran bumps into Raj, who is also on a pioneer to Assemblage with many friends. After any initial misadventures, mainly due to scornful activity on the endeavor of Raj, he falls in love with Simran. Only at their point of last at the railroad post in London does Simran substantiate that she too has fallen in love with Raj. Simran goes lodging and tells her parent (Farida Jalal) that she has fallen in couple with someone added and cannot go through with her ceremony to Kuljeet. Baldev overhears their conversation, and is wild that Simran broke her promise that she would never divulge his believe. He is adamantine that she testament espouse Kuljeet as plotted, and they leave departure for India as presently as contingent. Though Simran does not necessary to tie Kuljeet, her kin returns to Punjab. As it turns out, Kuljeet is an arrogant alpha mortal who takes feeling in state a shikari (watch) and boasts to his masculine friends that he will employ in matrimonial unfaithfulness. Simran’s overprotect tries to give her daughter’s feelings, but cannot halt up to her immodest husband. Raj, still, does not yield up so easily. He follows Simran to Punjab, meets her privately, and assures her that he present forbear her from the arranged marriage, and tie her with the respond of her father. As much, he refuses to fly with Simran because he wants her tribe to guarantee their family, change though Simran’s mother tries to intensity her savings into his extremity so that he can flee and take care Simran. Raj befriends Kuljeet and pretends to be a individual of the folk. He helps with the ceremony preparations and soon gains everyone’s friendship and object. At the corresponding experience, Kuljeet’s missy, Preeti (Mandira Bedi), falls in copulate with Raj, and things get complicated when Raj’s ancestor short appears in India. By now, even Simran’s root Baldev has been won over by Raj. He knows that Raj is the boy from the beer incident, but he has forgiven Raj for that incident intellection it was an inculpable misstatement. Still, everything comes crashing thrown when Baldev sees a snap of Raj and Simran together when they were on their trip across Accumulation. He exposes Raj’s unfeigned sameness in proximity of everybody, slaps him, and angrily tells him to change instantly, as Simran gift tie Kuljeet disregardless of what anybody thinks. As Raj leaves and is motility at the line post ready to pass Punjab, Kuljeet and his friends survey him and nearly bushed him stupid with sticks for his falsification. Not withstanding, when Raj’s fatherhood tries to interpose and Kuljeet and his friends chisel him as recovered, Raj flies into a madness and single-handedly beats Kuljeet and his friends with a force a take out of the settlement. However, as the develop begins to withdraw out of the installation, Simran tries to study, and is obstructed by Baldev. She begs him to let her go, and he yet comes to his senses and realizes that no one loves his daughter as much as Raj does. He tells Simran to connect Raj on the ride, which she enthusiastically does.
Patriotic cinema has always done really well in India. This was a one-of-a-kind attempt at making a fictional patriotic period movie!
The film inculcated within us the feeling of being Indian & on a personal note, I remember coming out of the theater on the eve of watching this movie feeling like the most Indian man there ever was.
The risk involved was huge & everything about this movie screamed out saying that this movie was destined to be a flop. It was over three & a half hours long with village settings & an uncharacteristic nonchalance about it. It was to everyone’s surprise that it opened to such rave reviews & eventually made its way to the Oscars.
Gadar was a hit and was appointed for several awards. The film grossed about Rs. 72,00,00,000 and is the 4th maximal grossing Screenland picture when keyed for inflation of all abstraction.
Gadar Ek Prem Katha is a 2001 Bollywood picture starring Sunny Deol, Amisha Patel, and Amrish puri.
The cast acdtually include Sunny Deol as Tara Singh, Amisha Patel as Sakeena, Amrish Puri as Ashraf Ali (Sakeena’s father), Lillete Dubey as Shabana (Sakeena’s mother), Vivek Shauq as Darmiyaan Singh, Master Utkarsh Sharma as Charanjeet, Suresh Oberoi as Taya, Madhu Malti as Tayee, Pramod Mautho as Gurdeep (Tara’s father), Mushtaq Khan as Gul Khan, Dolly Bindra as Gul Khan’s wife, Rakesh Bedi as Vaidya, Vishwajeet Pradhan as Daroga Suleiman, Tony Mirchandani, Samar Jai Singh as Salim, Ahsaan Khan as Abdul Ali, Vikrant Chaturvedi as Kalim, Asha Bachchani as Zaheera, Naresh Sharma as Baldev, Rajshree Seem as Baldev’s wife, Pratima Kazmi as Greedy Woman, Gyan Prakash as Wali Mohammed, Amita Khopkar as Bano, Prince Deepak as Jumman, Rahul as Aslam, Kanika Shivpuri as Tara’s mother, Malvika Shivpuri as Tara’s mother, Charan Preet, Tarika Khanna as Baby Sakina, Master Polyster as Baby Aslam, Santosh Gupta as Chanta, Om Puri as Narrator with Nitin Keni as producer, Anil Sharma as director,Shaktimaan as story writer, screenplay and dialogue writer. The lyrics was given by Anand Bakshi and music is by Uttam Singh. Jay Borade is the choreographer and Keshav Naidu was the editor and Bhavna was the costume designer.
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